Pier Paolo Pasolini

Childhood and Youth

First-born children of Carlo Alberto and Susanna Colussi, Pier Paolo was born in Bologna on 5 March 1922. In 1923 , the family, then living in the city Parma , moved to Conegliano because of postings military from his father. His brother was born then Guidalberto Belluno in 1925.

In 1927 , Pasolini and his family moved again in Conegliano, where Pier Paolo is enrolled in primary school before his six years .

In 1929 , the family moved to Sacile , again because of the father's work, and this year the young Pier Paolo discovered a passion for drawing and poetry ), Pier Paolo then grown new passions, including calcio (or football), and feeds his passion for continuous reading, buying used books to the booksellers of Portico della Morte. His reading ranges from works of Dostoyevsky , Tolstoy and Shakespeare poets Romantics Coleridge and Novalis.

Lyce Galvani he met other friends, including Ermes Parini, Franco Farolfi and Elio Meli, and creates with them a literary discussion group, while pursuing a brilliant student: he gets high marks "

The four young men thinking of starting a magazine called Eredi (or "Heirs"), Pasolini wants to impregnate a social program: "Given Eredi we will be four, but by pure one .

However, the magazine will never see the day because of government restrictions on the press , but the summer 1941 will remain etched forever in memory of four friends.

It was then that Pasolini began writing dialogues in Friulian , the poems sent to her friends will still be written in Italian.

His early literary experiments

Return Casarsa early fall, he realizes how Friulian his heart. Last months of 1941 the first of 1942 , he wrote poetry will be compiled in a booklet entitled Poetry has Casarsa, published at the author and then narrated by Gianfranco Contini (who deem good , it immediately apparent to the cinema. Pasolini writes only the first chapters of his thesis before giving up and moving to a new, more motivating for him on the poetry of Giovanni Pascoli. The manuscript of his thesis on the art will be lost 8 October 1943.

Pasolini joined Giovent Italiana del Littorio (or GIL), a fascist youth organization wants to create a cultural magazine called it Setaccio, becoming rapidem editor and can be found later in conflict with the managing editor , true to the rhetoric of the regime. Only seven issues of the magazine were published, but this experience was the young Pasolini positively, thanks to her, he understands the regressive nature of fascism and provincial and develops a perspective antifascist (obviously escaped the censure ) that foreshadowed the Pasolini "privateer" and rebel ^War

At the end of 1942 , the family decided to take refuge in Friuli , in Casarsa, deemed safer and quieter, to await the end of the Second World War. It was there in 1943 , the young Pier Paolo beginning to understand the fears that erotic previously tried to remove:

"A constant discomfort without images and without words flying blind me to my temples and . "

He maintains contact by letter with his friends, whom he decides not to hide anything, telling him everything that happens:

"I want to be Tagliamento , throw in my actions one after another in the bright cavity of the landscape. The Tagliamento is a long, long here. A huge rock torrent, candid as a skeleton. We arrived yesterday in cycling, young native with a native youngest named Bruno ... . "

The day before the Armistice of September 8 , he is called to enter military service. Forced to enlist in Livorno in 1943 , the day after the armistice he disobeyed the order to surrender its weapons to the Germans, and leaves to take refuge in Casarsa disguised as a peasant ).

Meanwhile, the tranquility of Casarsa is undermined by the bombing and raids by the fascists who carry out forced recruitment into the new armed forces of the Republic of Sal , which creates a reaction, the first groups of resistant. Pier Paolo tries to distract as much as possible, devoting himself to his studies and his poetry, meanwhile, he opened a small school home to students who can no longer reach their schools in Pordenone or gymnasium of Udine. In October 1944 , Pasolini and his mother moved to versuta , which seems to be more tranquil and away from military targets, his little brother Guido himself has already joined the resistance fighters of Carnia. The village children now have to travel more than a kilometer to go to school, because there are none in their village, and Pier Paolo Susanna decided to open one for free in their home, the same manner as Casarsa.

It was during this period that the young Pasolini saw his first real love for one of the oldest students (he said: "In these members shone ingenuity, grace ... or the shadow of a lost race which reaffirms in adolescence " ). At the same time, kalc Pina, a young violinist Slovenian who had fled with his family in Pasolini, falls in love with him. Pier Paolo's love for the young man's love for him Pina intertwined, complicated and painful the last months of the war.

On 7 February 1945 held at Porzus in Friuli-Venezia Giulia, the massacre Porzus : a militia massacre of pro-communist partisans Osoppo Brigade, a group of moderate supporters. Among the victims is the brother of Pasolini, Guido. This news comes in Casarsa few weeks after the end of the war, plunging Pier Paolo and his mother in distress. Prices still remain in the small school versuta where Pier Paolo is considered a true teacher .

In August, the first issue of Stroligt It is published with a different numbering to distinguish it from previous Stroligt di c da l'aga, appears at the same time, the series of verse diarii Italian-published author in a small volume. The same year he joined the Associazione per l'autonomia del Friuli , and after the return of his father, a prisoner of the English , in Kenya , Pasolini presents his thesis, Antologia della poesia pascoliana: introduzione e commenti. With his degree, the role of Pasolini as director-teacher school, strongly opposed by the Ministry of Education for not graduate, becomes official.

Postwar

In 1946 fate, but dated 1945 , a small collection of poems called I Diarii to Edizioni dell'Accademiuta, and two poems selected and annotated by Montale in the Florentine magazine Il Mondo. Isolated versuta - home to Casarsa was destroyed by bombing . After the war, Pasolini, who hesitated long between the two camps, watched the new requirements arising from legal relations between the leaders and the poor and had no more doubt as to the side where he was taking sides. It then seeks to consolidate a first draft of doctrine by reading Karl Marx and especially of the first books of Antonio Gramsci. He wrote to his friend, the poet Giovanna Bemporad :

"The other is still infinitely less important than me, but it is others who make history . "

And the other is thinking that makes the decision to join the Communist Party.

Pasolini wants to extend its collaboration with the magazine Academiuta and with neo-Latin literature; through Contini he met the poet Catalan in exile , Carles Card. Contini is on it sends the complete collections of his poetry in Friulian, still in title Cjants di muart shortly after changed to The giovent meglio. It does not yet managed to get published, despite this, he feels happy and wrote to his friends: "I am serene and prey to a greedy and Dionysian joy .

In late 1948 , he began teaching literature at school Valvasone, he joined every morning by bicycle. He continued his activity in the PCI, participating in January at the event held in San Vito by the Camera del Lavoro for the purposes of the bill Lodo De Gasperi. It was here that, observing the conflict with police and speaking with youth, he devised a novel project on this troubled world. The first title of the novel will be The giovent meglio. Also within the ICP, in February 1949 he participated in the First Congress of the Federazione Comunista of Pordenone , and in May of that year he moved to Paris to attend the World Congress of Peace. In October, he was accused of statutory rape and other lewd acts in public, his political opponents welcome the scandal and reproach her homosexuality while leaders of the PCI Udine decide to exclude the party ^{First film experiences and literary publications}

His first work in the field of cinema for writing ( March 1954 ) with his friend Giorgio Bassani , the scenario of The Daughter of the River , imaged by Mario Soldati. giovent La meglio, his book of poetry in Friulian, is published in June of that year. Dedicated to Gianfranco Contini, he won the prize Carducci tied with Paolo Volponi. Vittorio Sereni it intends to publish a book of poetry for the book series editor of La Meridiana which he edited with Sergio Solmi. This collection was released in January 1955 under the title Il Canto Popolare, which is then mixed with his work The ceneri di Gramsci.

On 13 April 1955 , Pasolini send the complete manuscript of The Ragazzi to the editor garganta. The novel comes out the same year, but the theme, that of prostitution male earned him accusations of obscenity ^{Controversy and denunciations}

Meanwhile, the controversy aroused by critics of The Ragazzi continues. Pasolini published in the April issue of Officina, an article and cons Salinari Trombatore who write for Contemporaneo.

In July held at Milan , the trial against The Ragazzi, which ends with an acquittal, largely through the testimony of Carlo Bo. The latter states that the book is rich in religious values "because it encourages piety among the poor and needy" and it contains nothing obscene because "dialogue is the dialogue of young people, and author felt the need to represent them as such " .

Filmmaker and writer

In August he wrote the screenplay of Mauro Bolognini , the civetta Marisa , at the same time, he collaborated with the director Italy , Federico Fellini , on Nights of Cabiria.

Alternating between his work as a filmmaker with the writer, he wrote during this period, critics in the weekly Il Punto (the first deals with the Albufera Montale), and it helps young writers of Officina, as Arbasino , Sanguineti , and Alfredo Giuliani , who then emerge as members of the Gruppo 63.

He made new friends , including Laura Betti , Adriana Asti , Enzo Siciliano and Ottiero Ottieri during this same period . "

Pasolini collaborated on Life Nuove in July as a special guest and go to the Youth Festival in Moscow while the publisher Longanesi publishes The worms Usignolo della Chiesa cattolica. He works hard on a violent life, he wrote his first screenplay without collaboration, La vita brava, and collaborates with maritime Bolognini on Giovani.

He finished writing a violent life in December 1958 and gives Garzanti in March next year. After a long process of "censorship" necessitated primarily because of some considered "dangerous" by the publisher ^{His first film: Accattone}

In 1960 , Pasolini began writing the first drafts of the book of essays Passione e Ideologia , arranges to La religione del mio tempo, and above all, is dedicated to his love for cinema by writing scenarios It happened Bolognini in Rome, Il Carro Armato dell'8 settembre of Gianni Puccini , La lunga notte del '43 of Florestano Vancini (based on the novel by Bassani), and Le Bel Antonio , the novel by Vitaliano Brancati.

He led a project to write a film that was called the COMMAREA secca, but the events of this July for the fall of the government Tambroni make him put the project aside to work on Accattone.

Bolognini his friend found him a producer , Alfredo Bini, which Pier Paolo explains how he wants the film to be shot: very early plans, the predominance of the characters on landscapes and, above all, a very simple "

Also in 1960 , two volumes of his verse was published: Roma 1950 - Diario and Sonnetto Primaverile. Before the new year 1961 , he traveled to India with Moravia and Elsa Morante , journey he takes a series of articles for the newspaper Il Giorno , and which will form part for his book The smell of India. In May the book is published La religione del mio tempo, very popular with his friend Franco Fortini , who wrote: "I wish you were there to be able to hold you in my arms" ^{The 1960s}

In autumn 1961 , he went into the house of a friend to write, with Sergio Citti, the scenario of Mamma Roma , the filming is done in spring 1962 , where the protagonist is played by Anna Magnani.

Meanwhile, he finished his novel in Friulian, Il sogno di una cosa , which is published in May, and between April and June, he worked on the filming of Mamma Roma , which is presented at the Venice Film Festival , where he wins this time around, a great success . "

The trial, held in Rome on 6 and 7 March , Pasolini condemned to four months imprisonment for being "guilty of crimes he is accused," the film is confiscated until December of that year and waives situate his film, but images shot on location become, under the leadership of producer Alfredo Bini, a film halfway between the travel notebook and internal reflection, "Location Scouting in Palestine." The film was then shot in the south of Italy, still poor and archaic.

But the actor was more difficult to find one that would embody the Christ, whom Pasolini wanted to give a look strong and decisive.
After having sought among poets, including Evtusenko , Ginsberg and Goytisolo , he comes across a student Spanish -looking proud and detached as that painted by Goya.

During the preparations for the film, Pasolini made a film-Life Survey sexual Italians, Comizi d'amore. He began writing The Divine Mimesis He Vantone, a fictional rewriting Miles gloriosus of Plautus , and, upon request of Vittorini , it presents some of his poems in the magazine and Menab Notizia su Amelia Rosselli.

In May 1964 , he published his fourth collection of poetry in Italian, Poesia in forma di rosa, and April 24 , he began filming the Gospel of Matthew, which ends in early summer. The film was shown at the Venice Film Festival in September, is repressed by leftist intellectuals, among them Sciascia and Fortini ^{Controversy young sixty-eighters}

After the battle of Valle Giulia and the conflict between youth and police, who had been preventively Roman faculty of architecture , Pasolini wrote the poem The PCI I giovani! . To be published in the magazine Nuovi Argomenti, he leaves without notice in L'Espresso , triggering a strong polemic . "

The poem is exploited by some for their purposes, not understood by others and is still today very city to highlight different ideas, the author forgot .

The same year, Pasolini turns Sequenza del fiore di carta with Ninetto Davoli, on the parable of the Gospel fig sterile , who released the following year, 1969 , as the third episode of the film Amore e rabbia.

The late 1960s: between theater and cinema

It publishes the meantime, in Nuovi Argomenti , an essay called Manifesto per un nuovo teatro, in which he states his complete refusal of the Italian theater, and a negative review of the work of Dario For.

On November 27 , his play is played Orgia Teatro Stabile di Torino , a work that will be poorly received by audiences and critics ^{The triangle of life}

During the summer of 1970 , he wrote scripts based on ten novels, most tragicomic as the Decameron , he transposes into the medium Neapolitan. He decides to make three to compose the " trilogy of life ": The Decameron , The Canterbury Tales and The Arabian Nights. In September, he started to shoot the first scenes in Caserta Vecchia Ciappelletto with Ser, as well as Naples and Merano. This is the first times that the naked body of a man in his films. "The body: this is a land that the authority has not yet conquered " ^{The 1970s}

In early 1971 , he shot a documentary entitled 12 December , with the collaboration of some members of Lotta Continua , on the Piazza Fontana bombing. In March he became editorial director of the labor movement. In April he was charged with "instigation to commit crime and vindication of crime", but it does not seem to care and writes . "

Meanwhile, he wrote a critique of Satura Montale, and in April released his latest book of poems, e Trasumar organizzar, which is welcomed by readers and critics distracted. He wrote the screenplay for The Tales of Canterbury for his film The Decameron won the second prize at the Berlinale on June 28.

In 1972 , his collection of essays, Empirismo eretico is greeted with indifference by critics ^{Collaboration with newspapers and magazines}

In November , he began collaborating with the weekly Tempo Illustrato, dealing with critics who come out later in book form under the title Descrizione di descrizione.

In early 1973 , he agreed to work for the Corriere della Sera. His first article to appear on January 7th. Cappelli called Contro i lunghi (translated literally "against long hair") is the first in a series of interventions in the political and fashion, and the conduct of public and private Italian. These articles will be published in Volume Scritti corsari.

Documentaries and dramas

Starts the meantime filming A Thousand and One Nights at Isfahan in Iran. The work proceeded quickly and accurately; Pasolini also manages to shoot a documentary: The Walls of Sana , which is a call to the UNESCO to save the ancient city of Yemen.

In September released two plays, and Calderon Affabulazione.

At the end of the year, Pasolini has already led a project for a new film, provisionally Porno-teo-kolossal, which Eduardo De Filippo should be one of the central characters.

The Thousand and One Nights comes out in theaters in early 1974 and is one of the greatest successes of Pier Paolo, despite the opinion of critics ^Tests

During the summer he added a long postscript to his drama in verse, Bestia da stile . "

He also writes other texts, including La nuova giovent, and publish, after the referendum on divorce , Article Gli italiani non sono pi stands.

1974 and 1975

The radical evil

Focusing on a film project about the Marquis de Sade , he began to study intensively the concept Kantian of "radical evil", which reduces humanity to slaves of consumerism , which corrupts the soul and handling the body. To explain this radical design Bse world, Pasolini analyzes his own case and described his anguish . "

On January 19 the Corriere della Sera published the controversial article aborto PA ("I am against abortion "), which arouses great controversy .

He finished the script of Il padre Selvaggio, a film that will never be realized in the first days of February, and in the middle of that month, he begins to turn a href = "Sal% C3% B2% C3% _ou_les_120_journ A9es_de_Sodome" alt = "Salo, or the 120 Days of Sodom" class = "mw-redirect"> Sal or the 120 Days of Sodom in the region of Mantua.

Meanwhile, he wrote several articles for the weekly Il Mondo, which will be part of the posthumous volume Luteran Lettere.

In May, released his book pirates Writings , which collects all the articles he wrote for the Corriere della Sera of 7 January 1974 to 18 February 1975 , with a section "Related Documents" in which critics are added he writes for the weekly Tempo of June 10 to 22 October 1974.

Also in May, sees the release of his novel La nuova giovent, and during the summer he worked on the set of Sal.

The trilogy of life

In October, the emerging scenarios of the Trilogy of Life, with an introduction of several pages called Abiura della Trilogia, and gives the final manuscript of The Divine Mimesis in Einaudi.

He then went to Stockholm for a meeting at the Italian Institute of Culture of the city, then to Paris to read the French translation of Sal. On October 31 , he returned to Rome.

The last track

"His end is both similar to his work and very different from them. Similar because he had described in his works, the filthy and atrocious ways, and different because he was not one of his characters but a central element of our culture, a poet who had marked an epoch A brilliant director, essayist inexhaustible ^Tributes

Photograph of Pier Paolo Pasolini.

• In the movie Diary (1993), Nanni Moretti , Moretti is seen along the beach of Ostia on his Vespa and stop at the scene of the homicide, with background music as the Kln Concert Keith Jarrett.
• Lamento per la Pasolini died, song written by Giovanna Marini in December 1975, a popular oral narrative in the style of singing religious extra-liturgical abruzzo , The orazione di San Donato.
• Una storia sbagliata (1980), song written by Fabrizio De Andr and Massimo Bubola.
• A Pa ', in Francesco De Gregori (e tarocchi Scacchi, 1985).
• In the film I magi randagi (1996), Sergio Citti , we see a woman from the scene of the murder of Pasolini.
• Written and directed by Mario Verger, Pasolini Requiem, at the thirtieth anniversary of his death.
• The filmmakers Daniele Cipra and Franco Maresco ddicacrent a short film called Arruso to Pasolini.
• A meeting Pasolini (Pasolini Intervista a) Interview "ideal" and fictional form comic , by Davide Toffolo. Biblioteca dell'immagine, 2002. Translated in France by Casterman in 2004.
• Brussels will pay tribute to Pasolini at the thirty-fifth anniversary of his death in 2010. A statue will be completed and opened in late 2010.
• La Rabbia of Delbono , show that began in 1995. It is a poetic tribute that comes from the intimate correspondence between man and artist, Pasolini, and the same need which is vital always been the main inspiration of the works of Compagnia Delbono. With: Bobo , Corso Piero , Pippo Delbono , Lucia Della Ferrera , Gustavo Giacosa , Goggiano Simone , Mario Intruglio , Pepe Robledo.
• In the hand of the angel, Dominique Fernandez , fictionalized story of the last moments of Pasolini.
• The industrial band Coil tribute to Pasolini in the song "Ostia" Album released in 1984 Horse Rotorvator

Bibliography

Pier Paolo Pasolini's works translated into French:

Fiction

• The Ragazzi, Buchet Chastel, 1958, "10/18", ^No. 1521
• A violent life, Buchet Chastel, 1961, "10/18", ^No. 1522
• The Dream of a thing, Gallimard, 1965, "Imagination" ^No. 201
• Theorem, Gallimard, 1978, "Folio ^No. 1949
• The Divine Mimesis, Flammarion, 1980
• Impure acts, followed by Amado Mio, Gallimard, 1983, "Folio ^No. 3879
• Roman walks, bilingual paperback, 1989, ^No. 8715
• Angels distracted, Actes Sud, 1995, "Folio ^No. 3590
• Tales of the City of God, Gallimard, "Arcades", 1998, reproduced in part under the title New Roman "Folio bilingual, ^No. 107
• Sweet and other texts, Actes Sud, 2000
• Oil, Gallimard, 2006 (unfinished, posthumous)

Poetry

• Poems, 1953-1964, Gallimard, 1980
• Poems, 1943-1970, Gallimard 1990
• Who I am, Arles, 1994 (translated by Jean-Pierre Milelli)
• Youthful poems and a few others, Gallimard, 1995
• Forgotten poems, Actes Sud, 1996
• In the heart of a child, Actes Sud, 2000
• I'm alive, I, 2001
• Where is my homeland, Castor Astral, 2002
• New Youth, 1941-1974, Gallimard, 2003
• Dada's sonnet, The Solitaires untimely, 2005
• C. Monitoring Project of future work, Ypsilon Editor, 2008
• Leaves of Romance languages, Ypsilon Editor, 2008

Travel

• The Scent of India, Denol, 1984, Folio ^No. 3591
• The Long Road Sandy, Arles, 1999

Trial

• Written privateers, Flammarion, 1976
• Experience heretic, Payot, 1976
• Dialogues in public, Rowan, 1980
• Descriptions of descriptions, Shores, 1984, "Shores-Pochotque, ^No. 168
• Writings on cinema, Presses Universitaires de Lyon, 1987, "Small library of Cahiers du cinema, ^No. 42
• Writings on painting, Square, 1997
• Letters Lutheran, Seuil, 2000, "Points" No. P970
• Cons television, The solitary untimely, 2003
• Land: Essays on Sport, translated from Italian by Flaviano Pisanelli, Paris, Time of Cherries, 2005

Correspondence

• General Correspondence: 1940-1975, Gallimard 1991

Theatre

• Theatre, Actes Sud, 1995, ^No. 177 Babel
• Theatre 1938-1965, The Solitaires Intempestifs, 2005

Cinema

• Oedipus the King , Avant-Scene, November 1969, ^No. 97
• Father wild forms of secrecy, 1980 (scenario not turned)
• St. Paul, Flammarion, 1980 (scenario not turned)
• The Gospel according to St. Matthew ,
• Medea , Arles, 2002
• Sal or the 120 Days of Sodom ,
• The Thousand and One Nights ,
• Theorem ,
• The Canterbury Tales
• The Decameron

Interview

• Jean Duflot, interviews with Pasolini Belfond, 1970, included under the title The Last Words of a wicked (1969-1975), 1981.

This interview, spiritual and political will, is reissued in 2007 with a preface by Jean Duflot novel: Pier Paolo Pasolini, interviews with Jean Duflot, Gutenberg Editions, 2007

Filmography

Writer

Year	French Title	Original Title	Occupation (s)	Film	Duration
The 1950s
1955	The Daughter of the River	La Donna del fiume	scriptwriter	( SM )	105 minutes
1955	-	Prigioniero della montagna	scriptwriter	( SM )	101 minutes
1957	Marisa	Marisa La Civetta	scriptwriter	( SM )	87 minutes
	Nights of Cabiria	Notti di Cabiria The	scriptwriter	( SM )	117 minutes
1958	Young Husbands	Giovani maritime	scriptwriter	( SM )	98 minutes
1959	Death of a friend	Morte di un amico	scriptwriter	( SM )	95 minutes
	Boys	La Notte Brava	scriptwriter	( SM )	95 minutes
The 1960
1960	The Long Night of 43	La Lunga notte del '43	scriptwriter	( SM )	110 minutes
	-	It Carro Armato dell'8 settembre	scriptwriter	( SM )	-
	The sweetness of life	La Dolce Vita	scriptwriter	( SM )	174 minutes
	Bel Antonio	It Bell'Antonio	scriptwriter	( SM )	105 minutes
	-	La canta della Marane	scriptwriter	( SM )	-
	It happened in Rome	La giornata balorda	scriptwriter	( SM )	-
	-	Stendal	scriptwriter	( SM )	-
1961	-	Milano nera	scriptwriter	( SM )	84 minutes
	It happened in Rome	The Giornata balorda	scriptwriter	( SM )	84 minutes
	The Girl in the window	Ragazza in Vetrina the	scriptwriter	( SM )	90 minutes
	Accattone	Accattone	scriptwriter	( SM )	120 minutes
1962	A violent life	Una vita violenta	scriptwriter	( SM )	115 minutes
	-	Mamma Roma	scriptwriter	( SM )	106 minutes
	The grim reaper	The Commare secca	scriptwriter	( SM )	88 minutes
1963	Rogopag (segment)	Ro.Go.Pa.G.	scriptwriter	( SM )	-
	The Rage (Part 1)	La Rabbia	scriptwriter	( CM )	50 minutes
	-	Ostia	scriptwriter	( LM	-
	Rogue stories	Storie scellerate	scriptwriter	( SM )	-
1964	The Gospel according to St. Matthew	It Vangelo secondo Matteo	scriptwriter	( SM )	137 minutes
1965	Survey on sexuality	Comizi d'amore	Writers	( SM )	90 minutes
	Featured in Palestine	Sopralluoghi in Palestina per il secondo Matteo Vangelo	scriptwriter	( CM )	55 minutes
1966	Birds, small and large	Uccellacci e Uccellini	scriptwriter	( SM )	89 minutes
1967	The Witches (segment)	Le Streghe	scriptwriter	( SM )	110 minutes
	Oedipus Rex	Oedipus re	scriptwriter	( SM )	104 minutes
1968	The Italian Caprice (segment)	Capriccio all'italiana	scriptwriter	( SM )	95 minutes
	Theorem	Teorema	scriptwriter	( SM )	105 minutes
1969	Gospel 70 (segment)	Amore e rabbia	scriptwriter	( SM )	90 minutes
	Pigpen	Porcile	scriptwriter	( SM )	99 minutes
	Medea	Medea	scriptwriter	( SM )	118 minutes
The 1970
1970	-	Ostia	scriptwriter	( SM )	-
	Notebook for an African Orestes	Appunti per un'Orestiade africana	scriptwriter	( SM )	65 minutes
1971	The Decameron	Il Decameron	scriptwriter	( SM )	112 minutes
1972	-	12 dicembre	scriptwriter	( CM )	45 minutes
	The Canterbury Tales	I Racconti di Canterbury	scriptwriter	( SM )	118 minutes
1973	Rogue stories	Storie scellerate	scriptwriter	( SM )	-
1974	-	Pasolini e. .. the forma della citt	scriptwriter	( CM )	20 minutes

Director

• 1961 : Accattone
• 1962 : Mamma Roma
• 1963 : Ricotta , sketch Rogopag
• 1963 : The Rage (La Rabbia)
• 1964 : Location Scouting in Palestine for The Gospel according to St. Matthew
• 1964 : The Gospel according to St. Matthew (He Vangelo secondo Matteo)
• 1965 : Survey on sexuality (Comizi d'amore)
• 1966 : Birds, Small and Large (Uccellacci e Uccellini)
• 1967 : The Earth from the Moon , skit film The Witches (Le Streghe)
• 1967 : Oedipus Rex (Oedipus Re)
• 1967 : The Sequence of the paper flower (Sequenza del fiore di carta), sketch The Challenge (Amore e rabbia)
• 1968 : What are clouds? (Che cose sono nuvole on?), sketch the Caprice Italian
• 1968 : Notes for a Film on India (Appunti per un film sull'India)
• 1968 : Theorem (Teorema)
• 1969 : Pigs (Porcile)
• 1969 : Medea (Medea)
• 1969 : Notebook for an African Orestes (Appunti per un Orestiada africana)
• 1970 : Notes for a novel of junk (Appunti per un Romanzo dell'immondeza), incomplete assembly
• 1971 : The Decameron (Il Decameron)
• 1971 : The Walls of Sana (Le mura di Sana)
• 1972 : December 12 , collective film, Pasolini uncredited
• 1972 : The Canterbury Tales (I racconti di Canterbury)
• 1974 : The Thousand and One Nights (Il fiore delle Mille e una notte)
• 1974 : Salo or the 120 Days of Sodom (Sal o Giornate di Sodoma the 120)

See also

References

1. There remains a dispute over the date of death of Pier Paolo, on the night of ¹ to November 2. Screenrush says he died on 2 in the morning: (en) " a href = "http://www.allocine.fr/personne/fichepersonne_gen_cpersonne=133.html" class = "external text" rel = "nofollow"> Biography of Pasolini, "accessed January 18, 2008
2. (IMDb) The Internet Movie Database , " Pasolini's Awards , "accessed January 18, 2008
3. ^{a and b} "La fine stata sua al tempo stesso simile alla sua opera e da dissimile him. Simile perched egli not AVEVA gi descritto, nella sua opera, the e modalit squallide atrocious dissimile perched egli non era uno dei suoi personaggi, una figura central bens della nostra cultura, a poeta che AVEVA segnato un'epoca a geniale regista, a saggista inesauribile "
4. From the movie The Thousand and One Nights , in Italian: "La verit non sta solo in un sogno in my molti sogni"
5. "borgo vecchio e grigio ... immerso nella pi di pioggia sorda penumbra, has popolato Stento antiquata da figure di suono dal intronato contadini e senza tempo della campana". Ritratti su misura, dependent Elio Filippo Dent. Venice Sodalizio del Libro, 1960
6. "Bella e dolce Bologna! Ho passato vi sette anni, forse i pi belli ... . Ibid.
7. "The unit e il nostro modo spirituale di sentire sono unitario notevolissimi, formiamo CIOE a gruppo gi, e quasi una nuova poetica, almeno cos mi park. "
8. "Davanti has Eredi dovremo essere quattro, my purezza per uno solo. "
9. From the article on Caravaggio: "In this same mystical sense of subversion, a much younger artist, poet and filmmaker Pier Paolo Pasolini Italy, will show through his works, his life and ideas of surprising similarities with Caravaggio - even in their common destiny because after a turbulent life and sulfur, both experience a mysterious and unexplained death on a beach in the Italian coasts ".
10. "Italian culture and European culture in Weimar."
11. "A turbamento continuo senza senza immagini e alle mie word bat time e mi oscura."
12. "Ho Voglia di essere al Tagliamento has lanciare i miei uno dopo l'altro Gesti nella lucente cavity del paesaggio. il Tagliamento that larghissimo. A huge torrente, sassoso, candido come uno scheletro. Ci sono arrivato ieri in bicicletta, Indigeno giovane, con un pi giovane di nome Indigeno Bruno ... "
13. In Italian: Lunario Studies Pasolini
    • Rinaldo Rinaldi, Pier Paolo Pasolini, Milan, Mursia, 1982
    • Cupo d'amore, Homosexuality in the work of Pasolini, he Cassero, Lille: QuestionDeGenre / GKC, 1990
    • Rinaldo Rinaldi, The irriconoscibile Pasolini Soveria Mannelli, Rubbettino, 1990
    • PPPasolini and the sacredness of art by Giuseppe Zigaina
    • Bertrand Levergeois Pasolini. The Alphabet of refusal, Paris, Editions du Felin, 2005
    • Giorgio Passerone and Rene Scherer, Passages Pasolini, Villeneuve d'Ascq, editions of the North, 2006
    • Angela Biancofiore, Pasolini, Palermo, Palumbo, 2003
    • Rene Ceccatty , Pier Paolo Pasolini, Paris, Gallimard, coll. Folio biographies, 2005
    • Biancofiore Angela (ed.), Pier Paolo Pasolini, For a poetic anthropology, Montpellier, Mediterranean University Press, 2007
    • Nico Naldini , Pier Paolo Pasolini, NRF Biographies Gallimard, 1989.

    Internal link

    • Pasolini's mad , documentary collection filmmakers of our time by Jean-Andr Fieschi.

    External Links

    • (En) / (en) Pier Paolo Pasolini on the Internet Movie Database - more complete version in English.
    • Site in Italian with some French
    • Video Pasolini how he sees the Italian Communist Party in 1968, a website archive of the Swiss Television
    • Pasolini interview on French television July 10, 1974 (site of the INA - only in the full version).
    • Cahiers Red Pier Paolo Pasolini , France Culture radio program series The heart of the matter, a documentary directed by Simon Guibert Croizier Yvon (11 Oct. 2005), with evidence of current and archive: Pier Paolo Pasolini Mayette Viltard (psychoanalyst), Vincent Dieutre (filmmaker), Jean-Paul Doll (philosopher, writer) and Laura Betti (actor and friend of Pasolini), Maria-Antonietta Mattiocchi (political figure, friend of Pasolini), Pino Pelosi ( the alleged assassin), Pierre Clementi (actor) Alberto Moravia (writer); Desrenard Louise (editor). The archives of the INA (Sandra Escamez) and RAI. The voice of Dominique Collignon-Maurin, Anati Graetz and David.

    Source

    • (It) This article is partially or entirely from the article in Italian entitled " Pier Paolo Pasolini "(see the list of authors )
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