Perugino

Perugino
Self Portrait, Palazzo dei Priori, Perugia
Birth name	Pietro di Cristoforo Vannucci
Birth	c. 1448 Citt della Pieve
Deaths	1523 Fontignano
Activity (s)	Painter
Students	Raphael
change

Pietro di Cristoforo Vannucci, called Perugino (born c. 1448 in Citta della Pieve , near Perugia in Umbria - died in 1523 at Fontignano Perugia) is an Italian painter of the Renaissance belonging to the Umbrian school , who was a master of Raphael. He painted mostly religious paintings, multiplying Madonnas and angels elegant melancholy without much variety, "working to enrich themselves in religion" ( Elie Faure ).

Summary 1 Biography 2 Works 2.1 Citt della Pieve 02.02 Perugia 2.3 Rome 2.4 Florence 2.5 Naples 2.6 In France 2.7 For the United States 3 Notes and references 4 Sources 4.1 Bibliography 4.2 Links Internal External 4.3 Links

/ / Biography

Perugino was formed by studying the works of Piero della Francesca and Verrocchio , he was probably a student at Florence between 1470 and 1472 , along with Leonardo da Vinci ^Works

Citta della Pieve

• Adoration of the Magi (1504) in the oratory of Santa Maria dei Bianchi, Citta della Pieve
• Baptism of Christ in the cathedral Santi Gervasio e Protasio (and, nearby, a copy of his self-portrait)
• Madonna in Gloria e Santi Gervasio Protasio, Peter and Paul Cathedral in Santi Gervasio e Protasio
• Deposition of the Cross in the church Santa Maria dei Servi
• S. Antonio Abate tra i SS. Paolo Marcello Eremita in the church of Saint-Pierre

Perugia

Works at the National Gallery of Umbria :

• Pala di Santa Maria dei Servi (Perugino) (it) (Adoration of the Magi), or 1470-173 1476 (including his self-portrait)
• Della Madonna della Confraternita Consolazione (1496-1498 approx.)
• Madonna della Cucina (1515 ca.)
• San Giovanni Battista tra i Santi Francesco Girolamo, Antonio di Padova e Sebastiano (1500-1510 approx.)
• San Girolamo penitente (after 1512),
• Adoration dei pastori (1502 approx.)
• Pala di opistografa Monteripido (1502-1504 approx.)
• Polittico di Sant 'Agostino (1502-1523 approx.)
• Cimas della dei pala Decemvirs (1495-1496 approx.)
• Pala Tezi (1496-1498 approx.)
• Gonfalone della Giustizia (1496).

the Collegio del Cambio

• Autoritratto (1500 ca.), Fresco, 40 x 30.5 cm

Rome

Pinacoteca of the Vatican Museums :

• Virgin and Child and St. Lawrence Saints Ludovic of Toulouse, and Constant Herculanus (Altarpiece of Decemvirs), ( 1495 - 1496 ), fat tempera painting on wood, 193 165 cm

Sistine Chapel :

• Handed the keys to St. Peter

Florence

• Piet ( 1495 ) at Pitti Palace
• Triptych of the Crucifixion fresco ( 1496 ) in the church of Santa Maria Maddalena dei Pazzi

Naples

• The Assumption Cathedral of Our Lady of the Assumption of Naples

France

At the Louvre in Paris:

• The Battle of Love and Chastity
• Apollo and Marsyas (or Apollo and Daphnis) (1483)
• San Sebastian

At the Museum of Fine Arts of Caen :

• Saint Jerome in the Desert
• The Marriage of the Virgin

At the Muse des Beaux-Arts in Nancy :

• The Virgin, the Infant Jesus and St. John

At the Muse des Augustins in Toulouse :

• St. John the Evangelist and St. Augustine (part one altarpiece commissioned for the chapter of the Augustinians of Perugia in 1502 , polyptych dismembered in 1683 and now distributed between Toulouse, Lyon and Caen)

At the Museum of Fine Arts in Lyon :

• The Eternal Father in Glory
• The Ascension of Christ (1495-1498), oil on wood transferred to canvas, 265 325 cm, a gift from Pope Pius VII in 1816.
• Saint Herculan and St. Jacques

At the Museum of Fine Arts in Rouen :

• The Adoration of the Magi (1495), oil on wood, 32.5 59 cm
• The Baptism of Christ (1495), oil on wood, 32 59.5 cm,
• The Resurrection of Christ (1495), oil on wood, 32 59.5 cm.

United States

Art Institute of Chicago :

• The Lamentation at the foot of the Cross, oil on wood, (c. 1500 ).
• The Adoration of the Child Jesus (Scenes from the Life of Christ), tempera on wood, (between 1500 and 1505 )

The Crucifixion in Santa Maria Maddalena dei Pazzi (1496).

Combat between Love and Chastity (C. 1503 - 1505 ).

St. John the Evangelist and St. Augustine ( 1512 - 1523 ).

Mary Magdalene and Mary (Pieta Detail of the Pitti Palace).

References

Sources

• (It) This article is partially or entirely from the article in Italian entitled " Il Perugino "(see the list of authors )

Bibliography

• "Perugino" in Encyclopedia 5:329 or Reasoned Dictionary of Sciences, Arts and Crafts of Diderot and D'Alembert
• Charles Paul Landon, Perugino in the Annals of the museum and the modern school of Fine Arts, p. 115, 1805
• Abbe Broussolle, Youth of Perugino and the origins of the Umbrian School, Paris, Oudin, 1901
• Fiorenzo Canuti, Il Perugino, Editrice d'Arte La Diana, Siena / Editoriale Umbra Foligno, Perugia 1983.
• Anna Forlani Tempest, The Italian Renaissance. Leonardo da Vinci - Pietro Perugino - Luca Signorelli - Michelangelo - Raphael Paris Princess Publishing, 1976
• Jean Alazard, Perugino - Criticism Biography, Henry Laurens, Paris, 1927
• Quattrocento Italy 1530-1523, Paintings and sculptures from the Museum of Fine Arts in Lyon, exhibition catalog, Lyon, Muse des Beaux-Arts, 1987-1988, (replenishment polyptych Sant'Agostino).

Internal Links

• The works of Perugino in the Uffizi in Florence

Giorgio Vasari cites and describes his biography in The Quick : Page? - 1568 edition