National Institute Of Art History
The National Institute for Art History (INHA) is an institution of higher education and research French, recognized as great institution , created and governed by decree No. 2001-621 of 12 July 2001.
It is located in Paris , the Galerie Colbert , Passage Vivienne, near the Bibliothque nationale de France (site Richelieu).
Summary |
History
The INHA fills a certain gap in the world of French research, since there were relatively few universities in the area and where the teams were dispersed. To remedy this situation, since 1973 , Jacques Thuillier suggested to Georges Pompidou creating this type of institute. However, at this moment, the suggestion was never acted upon. In 1983 , the idea is repeated, with greater success, as Andr Chastel is mandated to make proposals accordingly. This report introduces a long series of studies and reports, all going generally in the direction of creating such an institute, but with variations. In 1986 , an association already bearing the name of National Institute of history of art is created under the chairmanship of the art historian Antoine Schnapper. A report commissioned Marc Fornacciari, which sees an institute as a service for research. On the sidelines of an international congress of history of art, which was held in Strasbourg , Jack Lang announced the birth of the International Institute for Art History in Paris. From 1990 , the prospect of a move of the National Library allows to consider the reuse of its space to install the institute, which is coupled to a National Art Library. A report, told Michel Melot , goes in this direction. Late 1991 , the government is moving towards the establishment of two separate entities, the International Institute for Art History on the one hand, whose forerunner has been entrusted to Pierre Encrev and the National Art Library, on the other hand. At the end of 1992 , we are moving towards creating an international center of art history consists of the Institute and the Library mentioned above, which enlist the school's national heritage. In the same time, Franois Fossier and Franoise Benhamou also publish reports detailing the operation of the future library, which would bring together various existing libraries (which were eventually included), but also the specialized departments of the National Library.
In 1993, while Jacques Doucet library moved physically on the future site of the institute, while staying temporarily in status Interuniversity Jack Lang calls for the creation of a public administrative institution under the name of International Institute of art history. The State Council issued a negative opinion, noting that legislation is needed to create this type of establishment, leading J. Lang quit. In 1994, the government of Edouard Balladur load Michel Laclotte released a new report on the situation. An agreement is signed with the Louvre Museum to assist in the permanent constitution of the institute, whose definitive name is adopted.
The combination of foreshadowing is created by 1995. The years 1995 and 1996 are marked by the various tasks entrusted to Michel Laclotte, that help clarify certain aspects of projects. The last ministerial and inter-offs are made in 1997 and 1998 , even though the institute, which is still at the "association of foreshadowing, '" is already beginning its work. Indeed, the website will open in January 1998 and the first research projects were launched in April. Professor Alain Schnapp was appointed to head the association. In 1999 , the Institute organized the first scientific events.
Functions
The National Institute for Art History has three lines of work: research, promotion of art history and management of the Library of art history.
The INHA participates in the training of researchers - PhD students, postdocs, assistant or attached storage. It seeks to develop research programs around the art history, ensuring foster interdisciplinarity. The research was moving around three themes under the contract objectives 2007-2009: the history of archeology, art, ancient and medieval art, the history of history art and taste and art history and architecture of the modern era to modern times. His cell engineering documentary aims to create and distribute document databases. The INHA also organizes conferences and scientific symposia.
The INHA organizes scientific events and exhibitions in the Galerie Colbert and participated in several meetings, such as the Dialogues of Contemporary Art. He co-publishes books with the Committee of historical and scientific work (CTHS), the College de France or the Ecole du Louvre. It also collaborates with publishing houses such as folio editions, Picard, Readers International , Thames & Hudson or Somogy. He co-publishes with the publisher Armand Colin magazine Perspective on Research in Art History. The INHA also provides a mission to promote philanthropy.
The collections of the INHA are currently available in the Oval room of the Bibliothque nationale de France (site Richelieu), which is the subject in 2009 of rehabilitation work. It hosted 31 300 readers in 2008, students for nearly two-thirds. Eventually, the library should move into the great hall Labrouste, always in Quad Richelieu. Much of the collection (about 265 000 documents) will be offered for free access. In 2014, it has merged with the central library of national museums (CNMB) and the Library of the National School of Fine Arts (ENSBA), the Library of the Ecole Nationale des Chartes they will be associated. Its catalog also incorporate common collections of the Library Gernet-Glotz the EHESS. Across a total of approximately 1.7 million documents. The library is considered the INHA CADIST for Art History, a position she inherited the library of art and archeology.
Operation
The INHA is headed by a Chief Executive appointed for five years: Alain Schnapp (2001-2005), Jean-Pierre Cuzin, interim director (2005-2006) and Antoinette Le Normand-Romain (since 2006). It is administered by a board of directors including the president, in 2009, is Alain Pichon, first acting president of the Court of Auditors and the vice-president is George Molini , president of the University Paris-Sorbonne.
The INHA consists of two departments, the Department of Studies and Research and the Department of Library and communication, supported by shared services. In 2008, its staffing levels ranged between 220 and 230 people, including scholars and visiting researchers and associates.
The building
It was produced in 1634 by the architect Louis Le Vau and the master mason Michael Villedo for William Bautru. This building later became the Hotel Colbert and now houses the National Heritage Institute and the National Institute of Art History.
Press
- Journal ARTnord
Website
- (En) Official site of the INHA
- (En) The digital library in art history
- (En) Common Catalogue of INHA (has to date 840 000 934 000 records or documents)
