Biography Sedaine was the son of a Parisian master mason who had won the coveted status of a contractor 's Buildings King before going bankrupt. Orphaned at 13, his son had to leave the College des Quatre-Nations, to support his family, get workman, earning his living as a stonemason or as a plasterer. He had completed his own education by reading, and was exercised in his free time to compose verses. It was noticed by the architect and contractor Jacques Francois Buron , who took him in his office, first as an employee and later as charge d'affaires. Leisure that allowed him the job performances were held in the Exhibition and the Comedie Italienne.
He reported these vicissitudes with humor in a room of her first collection of poems, the Epistle to my coat ( 1752 ), a poem which was noticed, which was really the only remarkable collection, which has retained some notoriety. With natural and sensitivity, the author exposes the power of a beautiful dress in France and the changes that occurred in his life when he was given to take a:
Ah! my coat, I thank you!
I been worth yesterday, thanks to your Value!
This piece was spotted by a former magistrate appointed Lecomte (or County), who thought the author up to 1200 pounds on the pretext of inspecting the houses he owned. Freed from worry about money, Sedaine began in 1756 a brilliant librettist career that lasted nearly forty years. Frequenting literary cafs and a few shows, he became acquainted with D'Alembert , who had been his classmate with Favart and, especially, with Diderot , whom he shared the views on drama. Thus linked to Encyclopedists Philosophers and reformers, he married their quarrels and their principles.
As librettist, Sedaine tried his hand at all genres: comedy historical operas ( Richard the Lion-Heart ), fun (The Devil Four, Rose and Colas), bass (The King and the Farmer) or watery (The deserter).
For the theater itself, he has composed two tragedies, without much interest, and two comedies, which have remained popular and now account for most of the fame of their author: The Philosopher without knowing it ( 1765 ) and The Unexpected ( 1768 ).
With his pen, Sedaine acquired a decent comfort and settled Wells Street in the Marais. With the Marquis de Marigny , he became secretary of the Royal Academy of Architecture in 1768 , which allowed him to have a large apartment at the Louvre and enjoy a pension of 1800 pounds. A protg of Catherine II of Russia , he benefited from his generosity, which enabled him to buy a small property in Saint-Prix , near Montmorency. He was invited by Marie Antoinette at Versailles to make him repeat some of his books . Finally, the culmination of his career, he was elected member of the French Academy on March 9 1786.
He married late in 1769 with Jeanne Sriny Suzanne, whom he had three (or four children) for which he was a father exemplary. It also collects orphans, young Gueret, including Anne and Louise , and protected the painter David , nephew of the architect who had helped him in his youth, he encouraged the artistic beginnings. However, although welcomed the French Revolution , he challenged the Jacobinism and broke with the young painter. This led to his being dismissed from the Institute of France during the latter's creation in 1795. He had no part in revolutionary events, even if he came to rescue those persecuted and died under the Directory in 1797.
Posterity critical
The eminently respectable and sympathetic character Sedaine often colored judgment for his work. In the nineteenth century , a play like The Philosopher without knowing it was even ranked among the works of genius. Since then, much of this income exaggeration, and if the work of Sedaine retains some notoriety, it owes largely to the talent of the composers who set his works in music ( Franois-Andr Danican known as Franois- Andr Philidor, Pierre-Alexandre Monsigny , Andre Grtry to name the most famous). However, after much maligned, is now recognized quality books Sedaine, whom we recognize the merit of having established the genre of comic opera.
His style is often incorrect, and generally flat and bland. Jean-Francois de La Harpe was pleased to note this in his literature courses. His poetry, fairly abundant, is generally prosaic, and the author himself said, referring to his collection of poems published Fugitive 1760 : "I regret, instead of myself engaged in such frivolities, n have not given a play. "
Works
- Theatre
- The Impromptu of Thalia eyewear or truth, an act comedy in verse, 1752
- Anacreon , a pastoral act, 1754
- The Devil's Double four or metamorphosis , comic opera in 3 acts, music by Franois-Andr Philidor , represented for the first time at the Foire Saint-Laurent August 19 1756 ( read online )
- Fred's cobbler , comic opera in one act with ariettas, music by Franois-Andr Philidor , represented for the first time at the Foire Saint-Germain 9 March 1759 ( read online )
- The Oyster and the Litigants and the Court of the chicane , comic opera in one act, music by Franois-Andr Philidor , represented for the first time at the Foire Saint-Laurent 17 September 1759
- The Troqueurs duped , comedy in one act with ariettas prose, music by Charles Sodi , represented for the first time at the Foire Saint-Germain 6 March 1760
- The Gardener and his Lord , comic opera in one act, music by Franois-Andr Philidor , represented for the first time at the Foire Saint-Germain 18 February 1761
- The Good Gossip or Good Friends , comic opera in one act, music by Jean-Benjamin de Laborde , represented for the first time at the Foire Saint-Germain March 5 1761
- One never thinks of everything , comic opera in one act, music by Pierre-Alexandre Monsigny , represented for the first time at the Foire Saint-Laurent 14 September 1761
- The King and the Farmer , comic opera in 3 acts, music by Pierre-Alexandre Monsigny , represented for the first time in the theater of the Htel de Bourgogne 22 November 1762 : This piece is about the same subject as The King and The Miller of Charles Colle , the first version of The Hunting Party of Henry IV as it is also inspired by a "tragic tale" of Robert Dodsley , The King and the Miller of Mansfield ( 1736 ), which had been translated into French in 1756.
- The Work of the heart , a comedy in 1 act in prose, represented for the first time at Nicolet Theater 1763
- The Ring Lost and Found , comic opera in two acts, music by Louis Armand Claude Chardin and Jean-Benjamin de Laborde , represented for the first time at the Theatre of the Hotel de Bourgogne 20 August 1764
- Rose and Colas , comic opera in 3 acts, music by Pierre-Alexandre Monsigny , represented for the first time in the theater of the Htel de Bourgogne 8 March 1764 ( read online )
- The Philosopher without knowing it , a comedy in five acts and in prose, represented for the first time at the Theatre de la Rue des Fosses St. Germain 2 December 1765 (109 performances until 1793)
- Aline, Queen of Golconda , opera-ballet in three acts, music by Pierre-Alexandre Monsigny , represented for the first time in the Salle des Machines April 10 1766 ( read online )
- Philemon and Baucis , opera in one act, music by Pierre-Alexandre Monsigny , represented for the first time in Bagnolet in the Duke of Orleans , 1766
- The Unexpected , one act comedy in prose, represented for the first time at the Theatre de la Rue des Fosses St. Germain 27 May 1768 (102 performances until 1793)
- The Clogs , comic opera in one act (with Jacques Cazotte ), music by Egidio Romualdo Duni , represented for the first time at the Theatre of the Hotel de Bourgogne 26 October 1768
- The Deserter , opera in 3 acts, music by Pierre-Alexandre Monsigny , represented for the first time in the theater of the Htel de Bourgogne 6 March 1769 : this room before the drama of Louis-Sebastien Mercier, published under the same title following year ( read online )
- Themire , a pastoral note with ariettas prose, music by Egidio Romualdo Duni , represented for the first time in Fontainebleau 20 October 1770
- The Death married , comic opera in two acts, music by Francescho Bianchi , represented for the first time at Metz in 1771.
- Hawk , comic opera in 1 act with ariettas prose, music Pierre-Alexandre Monsigny , represented for the first time at Fontainebleau on November 2 1771
- The Magnificent , musical comedy in 3 acts, music by Andrew Grtry , represented for the first time at Versailles 19 March 1773
- Ernelinde, Princess of Norway , a tragic opera in five acts, music by Franois-Andr Philidor , represented for the first time at Versailles on December 11 1773
- Women avenged or Shams infidelities , comic opera in one act, music by Franois-Andr Philidor , represented for the first time in Toulouse, Capitol Room, 1775
- Felix or the Foundling , a comedy in three acts in prose, music by Pierre-Alexandre Monsigny , represented for the first time at Fontainebleau on November 10 1777
- Aucassin and Nicolette and morals of the good old days , comedy with ariettas, represented for the first time at Versailles on December 30 1779
- Journalists , a comedy in five acts in prose, represented for the first time in St. Petersburg 28 April 1781
- Maillard saved or Paris , tragedy in five acts in prose, represented for the first time at Madame Montesson in January 1782
- Thalia the new theater , vaudeville with ariettas prose, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 28 April 1783
- Richard the Lion Heart , comic opera in 3 acts, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 21 October 1784
- Amphitryon , opera in 3 acts, music by Andrew Grtry , represented for the first time at Versailles, 15 March 1786
- Count Albert , a drama in two acts in prose and verse, set to music by Andre Grtry , represented for the first time at Fontainebleau on November 13 1786
- Suite of Count Albert , comic opera in one act, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 8 February 1787
- Raoul Barbe-Bleue , comic opera in 3 acts, music by Andrew Grtry , represented for the first time on March 2nd 1789
- Raymond V, Count of Toulouse or unnecessary hardship , a comedy in five acts in prose, represented for the first time at the Comedie French 22 September 1789
- William Tell , opera in 3 acts, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 9 April 1791
- Pagamin of Mongue , comic opera in one act, music by Pierre-Alexandre Monsigny and Bernardo Porta , represented for the first time at the Theatre of friends of the country in March 1792
- At Basil or deceptive, misleading and a half , a comedy in one act, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 17 October 1792
- Albert or Service award , opera in 3 acts, music by Andrew Grtry , represented for the first time at the Theatre Italien (Salle Favart) 9 January 1796
- The Lover gout , comic opera in one act, music by Stanislas Champein
- Alcina , opera in 3 acts
- Protogenes , opera in one act
- The Wedding Nicaise , interlude
- Varia
- Epistle to my coat, 1751
- Fugitive Poems, 1752
- The Vaudeville didactic poem in four songs, 1758
- Collection of poems, 1760
- Bagatelle, 1770
- Acceptance speech at the French Academy, 1786
See also
Bibliography
- Cardinal George Grente (ed.), Dictionary of French letters. The eighteenth-century novel. revised and updated under the direction of Franois Moureau , Paris, Fayard, 1995, p. 1233-1235
External Links
References
- Some sources indicate July 4, 1719.
- The Queen liked to play the role of marquise in The Unexpected.
- His son, Henry Sedaine Anastasius, was an architect, and his daughter married the Earl of Agatha Brisay.